Review: Midnight Cowboy at Southwark Playhouse Elephant

12 Apr

⭐⭐⭐⭐ (Four Stars)

Midnight Cowboy at Southwark Playhouse Elephant brings James Leo Herlihy's 1965 novel (which was also adapted for the 1969 Academy Award-winning movie of the same name) to the stage, although admittedly I have not read the book or seen the film so cannot comment on how closely this production mirrors the source material here. Directed and choreographed by Nick Winston, this production tells the story of two unlikely companions, hustler Joe Buck and ailing con-man Rico "Ratso" Rizzo, whose bond forms amidst the seedy streets of New York City.

At the heart of the production is Paul Jacob French’s outstanding portrayal of Joe Buck, the naive sex worker who arrives in the big city with nothing but optimism and a cowboy outfit. French brings a magnetic presence to the role, demonstrating his impressive range across the production with a highlight moment being a scene in the second act where Joe has become intoxicated after taking drugs at a party. Max Bowden’s portrayal of the ailing conman, Ratso, is also commendable. Bowden successfully delivers a physicality that mirrors the character’s illness, limping and wheezing throughout. However, I did find myself wishing we could see more of Bowden’s character as his stage-time is limited in the production and he is much more of a supporting character despite being billed first in the cast list. The chemistry between French and Bowden, especially in the second act, brings a sincerity to their unlikely friendship, making their journey together all the more poignant.

Andrew Exeter’s lighting design and projection adds a cinematic feel to the intimate Southwark Playhouse Elephant space, enhancing the emotional atmosphere of the musical. Bryony Lavery’s book delivers sharp dialogue and poignant moments, while Francis “Eg” White’s atmospheric songs serve more like a film score, amplifying the emotions rather than competing for attention. These songs aren’t necessarily catchy in the traditional sense, but they add to the overall mood and texture of the piece, drawing the audience deeper into the characters’ experiences. A special mention must go to Lucy Fennell, the intimacy director on Midnight Cowboy, whose work ensures that the more delicate moments of the story are handled with care and the depictions of Joe’s sex work are well thought-out.

Midnight Cowboy at Southwark Playhouse Elephant is a compelling and emotionally charged production. Nick Winston’s direction ensures the pacing is consistent throughout and the few ensemble numbers, also choreographed by Winston, inject much-needed energy into the narrative. While definitely not suitable for younger audiences, Midnight Cowboy delivers strong storytelling and an unforgettable performance by Paul Jacob French.

Midnight Cowboy runs at Southwark Playhouse Elephant until 17th May 2025.